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Average Rating: 8,4 / 10

countries: USA

Runtime: 2hour 11 Minute

Release Date: 2019

American security guard Richard Jewell saves thousands of lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely reported that he was a terrorist

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From show creator Andrew Sodroski (who also did the season about the Unabomber, featuring Paul Bettany and Sam Worthington, that aired on Discovery) the Spectrum Originals drama series Manhunt: Deadly Games chronicles the deadly bombing at the 1996 Olympic Games and the complex manhunt that followed. After first pointing the finger at the wrongly accused and innocent Richard Jewell ( Cameron Britton) whose life was turned upside by the FBI and the national news media while he fought to clear his name, the FBI then focused their hunt on elusive serial bomber Eric Rudolph ( Jack Huston) who had a very clear and dangerous agenda of his own. While at the Spectrum Originals portion of the Television Critics Association Press Tour, Collider got the opportunity to sit down and chat 1-on-1 with actor Cameron Britton about how he loves a challenge when it comes to trying to find roles that are different from anything hes done before, the scene that sold him on this project, how he approached playing Richard Jewell, his hope that the recent Clint Eastwood film and this series will change the perception of Jewell, the gift of a co-star like Judith Light (who played Jewells mother) and what hed like to do next. Image via Netflix Collider: First of all, I have to say that I absolutely loved your work in The Umbrella Academy. Are you in Season 2? CAMERON BRITTON: Im not allowed to talk about it, but I speak with Robert [Sheehan] a lot. I wish he lived in Atlanta. I miss him very much. You dont always meet someone on set, where you continue your relationship afterwards. Robert Sheehan is one of those folks that I just adore endlessly. Judith Light, on this project, is another one. When you meet one thats really special, you try to keep in contact. But Robert lives in London, so its difficult. If you just look at your roles in The Umbrella Academy as Hazel and Manhunt: Deadly Games as Richard Jewell, theyre such very different characters. Is that intentional, on your part? BRITTON: I do love that challenge. I try to find roles that are different from any role Ive done, to see if I can do them. I never know, until the projects over, what thats gonna look like. Its a big experiment. That keeps the pressure off, on set. With any character, you start your preparation with, what is this persons strengths? What are the beliefs of this character? And I did the opposite with Jewell, which was nerve-wracking. I asked, what are his doubts? What are his faults? I found that to be the most interesting part of this show. The more faults and fear we see in him, the more poignant the acts of heroism are, and the more his character and strength comes out during all of this adversity, the more it resonates. I found him to be a walking apology, and Im a walking apology. I fought for years to not be one, but Ive found that there are days where I just feel guilty for being in peoples way and just being in the room, at all. And when I saw that in Richard, I thought, this is something that Id like to express and vent. I was hoping it would be cathartic. It hasnt been yet. It was really hard. Every day was like, “Oh, god, Ive gotta drag up all of these old feelings from middle school. ” But by the end of the show, you see a full adult there, a mature man, and someone who realizes who he is and what people are, and stops idealizing or feeling like some are worthy and some arent. People are just people. It took a horrible circumstance and trial by fire to find that, but he did. Not everyone can say that. We can look at heroes and say, “Oh, yeah, theres the jawline and witty banter, ” but thats not what a hero is. Any chance that I could find to show that this man has flaws, I thought was important, to remind us what heroes are. Image via Spectrum Originals Does it feel very different, when youre playing someone who was a real person? Did you feel like you had more freedom on something like The Umbrella Academy? BRITTON: No. I have to base my characters off of at least one person. This actually makes it a lot easier. The part that makes working on someone whos real difficult is knowing when to stay true to it and when to move away. If you watch Richard Jewell, externally, hes not really anything like what I perform, but I wanted to pull out his flaws. I find working on real people inspires me that much more to make it truthful, which is another obsession of mine. Im just trying to find the most honest way to perform things. When the possibility of this came up, did you need to convince yourself to take it on? BRITTON: I read the interrogation scene. That was the audition scene. In Episode 2, he has this interrogation scene, and that happened in real life. The FBI pulled him in and pretended to be doing a training video, but really, they were interrogating him. I read that scene, and there was so much going on. You have someone who idealizes the police. Theyre his heroes, and theyre tricking them. And when he realizes that, theres a lot going on for him, in that moment. His world comes crashing down. Obviously, youre scared that you might get the electric chair, if these people think youre a bomber. Everything you believe is being challenged. I pretty much leapt at the chance to do that. A long form version of the story, watching someones life play out, was alluring. How did you find the experience of working with show creator Andrew Sodroski? BRITTON: I loved working with Andrew Sodroski because he was so flexible with the script. There wasnt a lot of improv, but there were discussions about what to do with dialogue. I think projects are best served when everybodys willing to change things for artists, to tell the story in the best way possible. With this, its so interesting that youre telling a story about two different men, but theyre not really crossing paths with each other or having any interactions with each other, even though they affect each others lives, drastically. BRITTON: In real life, Eric Rudolph was movie star gorgeous and hated law enforcement, and Richard Jewell was overweight and awkward and only cared about doing the right thing and saving people. Its just so ironic. And Jack [Huston] does an amazing job of being charming and believable, as a good person, when hes a fucking psychopath. How did your thought process on Richard Jewell change, throughout this? Once you figured out what you wanted to do and who he was, did that lock in how you felt about him? BRITTON: I admired him more and more, for what he went through and how he came out stronger, on the other end of it. It wasnt easy. To actually do it in real life would obviously have been a lot worse. I spent a whole season as Jewell, and I cant imagine what he went through. I dont think you can, unless youve been through it. That mustve been hard for him. Theres no support group for the whole world hating you, unfairly. Im glad the movie ( Richard Jewell, directed by Clint Eastwood) came out, and Im glad that this show is coming out because there are still people who think he did it. And I wish he were alive today, to see Hollywood help exonerate him. One of the most tragic aspects of all of this is that hell never see the change in representation of him. BRITTON: No, he cant. He died in a small town, getting paid pretty low wages, as a policeman. But he did get to be a policeman. Thats all he wanted. All he wanted to do was serve and protect. He felt a calling, which just makes it all the more messed up that the law enforcement was, making the mistakes that they were with them. But I think it helped him learn to be informative, as law enforcement, and not punitive, which I think is something that a lot of policemen still need to learn. Their job is to inform the public. If you pull someone over and you realize that theyve learned their lesson, they dont need a ticket. But they wouldnt own up to this mistake. They still really havent. The Atlanta Journal-Constitution sure hasnt. What was it like to work with Judith Light? She seems like such a gift to an actor. BRITTON: She is. She is perfectly east coast and west coast combined. Shes like this straightforward peacenik. I still comfortably call her mama. Shes just loving and dedicated. She was crying at the table read, in an 8 department store wig, like it was her first project that shed ever done. No matter what was going on in her life, she just came ready and happy and excited. She doesnt judge her work, and is there for others. Id be really happy goes the direction hers has. Shes always fun. Shes always happy to be there and to do the work, and then let it go, which is just as important is doing the work. You have to just set it free once, once they call cut. Youve talked about how hard this was to do. What did you do once the shoot was over? BRITTON: I had a couple projects. Folks were hoping to work with me, and I just say, “Thank you, but I need a break. ” I have an eight-month-old kid. He was born, and then a month later, we started shooting, and hes my first kid. Youre exhausted and your priorities are skewed. So, when this ended, all I did was just hand out with my kid and decompress, which is par for the course. No matter what the experience on set was, I like to take a break between roles, get it out of my system, and be clear and ready and excited to start working again. So, I spent time at home with family. Watching the show is a little hard, but Im getting back to the basics and starting to go out there again. Have you thought about what you want to do next? BRITTON: Yeah, Id like to play someone who isnt disturbed or troubled. I do really like focusing on peoples faults. I like characters who make mistakes. But it would be nice to play a more confident fellow for whom things are going right. I kept telling the writers, could we just do a scene where Jewell talks about the weather, or asks someone what does todays special is at a restaurant, or anything that isnt just earth shattering? Every moment in this show, youre seeing him in these horribly compromised situations. His mother doesnt believe in him, or hes gotten beaten up in front of the FBI, or hes running at top speed to prove his innocence. The pizza scene with Judith was the best acting Ive ever stood in front of, when she was balling pizza in her fist and screaming, “What has my life become? ” It was stunning to be there and see that. But every scene was heavy and huge. Id like to do something uplifting. Manhunt: Deadly Games is available to stream at Spectrum Originals on February 3 rd.

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Richard jewell watch full time. Richard jewell watch full body. Richard jewell watch full form. Richard jewell watch full cast. Richard Jewell Watch full article on top. "Rent a cop, Richard Jewell, did his job well, perhaps too well for his own good. The hero of the 1996 Olympic park bombing, Jewell was at first lionized then slandered and vilified by what in this day and age has become the usual suspects, The FBI and media. Directed by Clint Eastwood, it is a somber but chilling telling of when respected goes rogue that is having the same disturbing effect today as the same apparatus sets its sights on someone higher than a security guard.
Eastwood's sometime lethargic direction remains controlled and unsensationalized throughout as his protagonist lummox (movingly played by Paul Walter Hauser) is picked at by easily corrupted FBI agent Tom Shaw (Jon Hamm) and a sleazy reporter Kathy Scruggs (Olivia Wilde) willing to go the extra mile for a scoop. Impeding the runaway justice Jewell's lawyer Watson Bryant (Sam Rockwell) corrects the sloppy ambitions without grandstanding, tempering his rage at institutions in railroading mode while maintaining a balancing act dynamic of Lenny and George from Of Mice and Men with Jewell.
Outside of the moments from the bombing attack, Richard Jewell is mostly a drawing room drama filmed in banal, lugubrious settings with the occasional flock of abrasive reporters. The story commands attention however, especially in these "interesting times" where media has completely ignored its bedrock pledge to objectivity, shamelessly taking sides while rogue agents at the FBI are getting pink slips. Microcosm of today? Or just maybe the way it always has been and will be. Average film but a timely thought provoker.

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